NITCH

Photo of Virginia Woolf

Virginia Woolf // "Month by month things are losing their hardness; even my body now lets the light through; my spine is soft like wax near the flame of a candle. I dream; I dream."

Photo of Thich Nhat Hanh

Thich Nhat Hanh // "This body of mine will disintegrate, but my actions will continue me. In my daily life, I always practice to see my continuation all around me. We don’t need to wait until the total dissolution of this body to continue…we continue in every moment. If you think that I am only this body, then you have not truly seen me. When you look at my friends, you see my continuation. When you see someone walking with mindfulness and compassion, you know he is my continuation. I don’t see why we have to say 'I will die,' because I can already see myself in you, in other people, and in future generations."

Photo of Sherwood Anderson

Sherwood Anderson // "All men lead their lives behind a wall of misunderstanding they have themselves built and most men die in silence and unnoticed behind the walls. Now and then a man, cut off from his fellows by the peculiarities of his nature, becomes absorbed in doing something that is personal, useful and beautiful. Word of his activities is carried over the walls."

Photo of David Lynch

David Lynch // "The world is, sort of, as it is. The way you go through it changes."

Photo of Gaspard Ulliel

Gaspard Ulliel // "I decided to…try to give the others and myself, one last time, the illusion that I am, until its very end, the master of my life." (juste la fin du monde)

Photo of Duane Michals

Duane Michals // "The best part of us is not what we see, it's what we feel. We are what we feel. We are not what we look at… People believe their eyeballs and they're totally wrong… That's why I consider most photographs extremely boring…another waterfall, another sunset... But that whole arena of one's experience…grief, loneliness…how do you photograph lust? I mean, how do you deal with these things? This is what you are, not what you see."

Photo of Carl Jung

Carl Jung // "At present we educate people only up to the point where they can earn a living and marry; then education ceases altogether, as though a complete mental outfit has been acquired. The solution of all the remaining complicated problems of life is left to the discretion, and ignorance, of the individual. Innumerable ill-advised and unhappy marriages, innumerable professional disappointments, are due solely to this lack of adult education. Vast numbers of men and women thus spend their entire lives in complete ignorance of the most important things...The adult is educable, and can respond gratefully to the art of individual education..."

Photo of Joan Didion

Joan Didion // "See enough and write it down, I tell myself. And then some morning, when the world seems drained of wonder, some day when I’m going through the motions of doing what I am supposed to do… On that bankrupt morning, I will simply open my notebook and there it will all be, a forgotten account with accumulated interest. Paid passage back to the world out there. It all comes back. Remember what it is to be me."

Photo of James Baldwin

James Baldwin // "The church was packed, of course, incredibly so. Far in the front, I saw Harry Belafonte sitting next to Coretta King… In the pew directly before me sat Marlon Brando, Sammy Davis, Eartha Kitt…and Sidney Poitier, in the same pew, or nearby… The atmosphere was black, with a tension indescribable…as though something, perhaps the heavens, perhaps the earth, might crack. Everyone sat very still. The actual service sort of washed over me, in waves. It wasn’t that it seemed unreal; it was the most real church service I’ve ever sat through in my life, or ever hope to sit through; but I have a childhood hangover thing about not weeping in public, and I was concentrating on holding myself together. I did not want to weep for Martin, tears seemed futile. But I may also have been afraid, and I could not have been the only one, that if I began to weep I would not be able to stop. There was more than enough to weep for, if one was to weep…so many of us, cut down, so soon. Medgar, Malcolm, Martin: and their widows, and their children… I had not been aware of the people when I had been pressing past them to get to the church. But, now, as we came out, and I looked up the road, I saw them. They were all along the road, on either side, they were on all the roofs, on either side. Every inch of ground, as far as the eye could see, was black with black people, and they stood in silence. It was the silence that undid me. I started to cry, and I stumbled, and Sammy grabbed my arm… I don’t think that any black person can speak of Malcolm and Martin without wishing that they were here. It is not possible for me to speak of them without a sense of loss and grief and rage; and with the sense, furthermore, of having been forced to undergo an unforgivable indignity, both personal and vast. Our children need them, which is, indeed, the reason that they are not here: and now we, the blacks, must make certain that our children never forget them. For the American republic has always done everything in its power to destroy our children’s heroes, with the clear (and sometimes clearly stated) intention of destroying our children’s hope."

Photo of Andrei Tarkovsky

Andrei Tarkovsky // "My films are not a personal expression, but a prayer. When I make a film, it’s like a holy day. As if I were lighting a candle in front of an icon, or placing a bouquet of flowers before it. The spectator always ends up by understanding when you are sincere in what you are telling him. I don’t invent any language to appear simpler, stupider, or smarter. A lack of honesty would destroy the dialogue... When people understood I was speaking a natural language, that I wasn’t pretending, that I didn’t take them for imbeciles, that I only say what I think, then they became interested in what I was doing."

Photo of Tennessee Williams

Tennessee Williams // "There is a time for departure even when there’s no certain place to go."

Photo of Ricardo Bofill

Ricardo Bofill // "The ideal city is impossible to create, just as the ideal island is impossible to build. The ideal is forever in flux; it must always be evolving. From there, I thought, 'Since total utopia is not possible, since total change leads to disaster, we’re going to divvy up utopia by theme and ensure that every architectural exercise is the development of one of those themes.' So, I changed strategies and tried to focus on concrete subjects to conduct partial experiments. I think each of the multiple projects I’ve done constitutes a part of a total city that has not been…and can never be…built. Each of my projects is a part of a possible city. These parts are the partial realization of what is possible…but not the manifestation of an overall utopia, as such utopias are always doomed to disaster and failure. This is the strategy that has stimulated me and enabled me to preserve an ambition…but with greater humility. I’ve abandoned my former conception of things, where I wanted to conceive a whole. A totality is impossible to conceive, so you instead conceive a part. Hence…my projects are the realization of utopia’s impossibility, of partial utopias, attempts to avert their inevitable failure, but with an inner logic."